![]() Either way, this excavation is a failed attempt to find the Wave Echo Cave. Another idea is that these Dwarves are the two Doppledangers employed by Nezznar. If they happen to go to the Excavation Site, just rename the two Dwarves there to Nundro and Tharden. From there, you can offer the other T1 quests for the players to play through. ![]() I use this encounter as a great way to introduce the PCs to role-playing, as not every monster needs a stab stab stab die.ģ. See more wipe them out, but intelligent enough to negotiate and see things the PC's way. The opening quest I start with is with the Manticore encounter. It quickly and subtly establishes that Cryovain is the BBEG of the mini-campaign.Ģ. I always like to start with the PCs seeing Cyrovain flying overhead. I have run DOIP a few times for my kids and group of friends. Here are some of my notes and thoughts:ġ. One thing that I have read from one of the reviews is that the product is set up to play back-to-back and does not combine them and I am here to say that you can STILL combine them. It hasn't been 24 hours yet, so I cannot yet review it, but from the brief skim it's going to help fill out a LOT of balance problems from combining these two adventures. The end effect will be a 1st- to 11th-level campaign set in the frontier town of Phandalin.įollow me on Twitter: - This is a wonderful product, and even though it is a back-to-back combining of the two adventures, that doesn't mean you cannot intermingle or entwine them USING this product. In other words, if you have finished running Lost Mine of Phandelver or Dragon of Icespire Peak and wish to continue your adventures in Phandalin right where you left off with the same characters, this guide is for you. You also need a copy of the Monster Manual since many of the creatures in this book draw from that sourcebook. This guide does not make sense without them. To use this guide, you must have a copy of both Lost Mine of Phandelver from the D&D Starter Set and Dragon of Icespire Peak from the D&D Essentials Kit. That way you can play these two adventures back to back in either order using the same characters. This guide converts Lost Mine of Phandelver and Dragon of Icespire Peak to Tier 2 (levels 5 to 10). Of particular interest is the way in which the reader and her role in the "cybernetic feedback loop" are constructed textually and interactionally.If you've ever wanted to play Lost Mine Of Phandelver and Dragon of Icespire Peak back to back as one long Phandalin campaign, this conversion guide is for you. ![]() In both cases we will show that some cases of second-person narration in digital fiction require additional theoretical categories for their analysis. We will then show how second-person narration can be used to presuppose knowledge about the reader so as to predict her relationship to “you”. More specifically we will show first how second-person narration can be used in digital fiction to endow the reader with certain properties so that she is maneuvered into the position of “you”. We aim to explore the extent to which print-based narratological theories of the textual "you" apply to the texts under investigation and suggest theoretical tenets and taxonomic modifications arising from the way in which the reader is involved in their construction. The article has a specific focus on how the text implements second-person narration and other forms of the textual "you" in juxtaposition with other narrative perspectives. This article offers an analysis of two Storyspace hypertexts, Stuart Moulthrop's Victory Garden and Richard Holeton's Figurski at Findhorn on Acid. ![]()
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